I’ve been creating since childhood, back when crayons, scissors, and glue felt like tools for making my own little world. Shows like Sesame Street and Mr. Rogers shaped my early imagination, opening me to different cultures, perspectives, and a sense of curiosity that never really left. My creative path has wandered through many forms. I started in film photography, stepped away for years, then resurfaced through small handmade crafts before finding collage. Both traditional and digital collage feel natural to me. I love gathering existing images, choosing the pieces that resonate, and letting them arrange themselves into something new. My process is instinctive and unforced; music often sparks the flow.
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Lea Basile-Lazarus is an intuitive abstract printmaker and papermaker who has been an artist and educator for most of her life. Lea’s passion for printmaking grew in undergraduate school, at The College of New Jersey. She received her MFA with a concentration in Printmaking from the School of the Art Institute of Chicago. For 25 years she was an art educator in the northern suburbs of Chicago, IL. Lea has been a recipient of a teacher Fulbright to Japan and spent three weeks in Africa visiting Ghanaian schools and villages, in both cases studying their culture and educational system. Lea has exhibited nationally and is featured in numerous collections. Over the past few years she has participated in one person shows or group exhibitions at the Robert C. Williams Museum of Papermaking in Atlanta, GA, Jeffrey Moose Gallery, Bainbridge Island, WA, Mavi Contemporary Gallery, Gig Harbor, WA, Alki Arts, Seattle, WA, CoCA, Seattle, WA, and Gallery 110, Seattle, Wa. In 2026, Lea exhibited in national shows at Slip Stitch Gallery, WA, Sebastopol Center for the Arts, CA, Brand Library and Art Center, CA, and Remarque Print Workshop, NM. Lea moved to the Pacific Northwest almost 6 years ago, now living in West Seattle. She is an active member of the Seattle art community and is currently Co-Chair of the West Seattle Art Tour and is responsible for hanging exhibitions at the Women Painters of Washington Gallery in Columbia Towers, Seattle, WA. Most recently, Lea was awarded a residency at the Remarque Print Workshop. She is also a member of Seattle Print Arts, California Society of Washington, and CoCA, Seattle WA.
Artist Bio Mimi is a self-taught, Seattle-area mixed-media artist who began painting just one year ago. What started as a personal and therapeutic creative outlet has quickly grown into a passion for painting, making, experimenting, and transforming everyday materials into original works of art. Her approach is intuitive and exploratory. She works with bold color, texture, collage, abstract forms, photography, found objects, and repurposed materials while continuing to discover and develop her artistic voice. Upcycling is an important part of her practice. Old canvases, previously used frames, recycled materials, leather jackets, and unexpected objects can all become surfaces for something new. She is drawn to the idea of transformation—seeing possibility and beauty in something that might otherwise be overlooked or discarded. Right now, Mimi is especially inspired by the vibrant color, energy, and visual storytelling found in Caribbean art and artists; wolves, which she identifies with as her spirit animal; flowers and botanical forms; sacred geometry; and the beauty, shape, texture, and presence of large, magnificent Afros. These influences appear in her work through color, pattern, symbolism, organic shapes, portraiture, and experimentation. Art-making is also deeply therapeutic for Mimi. Creating gives her a place to decompress, reflect, process emotions, and become completely absorbed in working with her hands. The experience of making the artwork can be every bit as important as the finished piece. Only a year into painting, she embraces being a beginner rather than trying to hide it. Her practice is about curiosity, experimentation, learning, and giving herself permission to create without being confined by traditional rules or a single artistic style.
I am a Bellingham, WA-based mixed-media nature artist with over 40 years of experience. As a teenager struggling with undiagnosed PTSD, artmaking was lifesaving for me, providing a calling, a practice, and a sense of generativity. I attended the Rhode Island School of Design and afterwards worked as a full-time artist–painting, exhibiting, visiting schools, libraries, and synagogues, and publishing two picture books–while raising my sons. In 2007, I returned to school for education, earning a master’s in 2009 (Harvard Graduate School of Education) and a doctorate in 2018 (Northeastern University), focusing on language and literacy for nontraditional and multilingual students. Until 2022, I taught academic writing to students of all ages and backgrounds, from incumbent workers at Boston hospitals to nursing students at UMass Boston and first-year Boston University students. The pandemic brought me back to the studio full-time, transformed. This year, I am participating in Surge, an art/science collaboration through the Museum of Northwest Art, and in 2024 I served as Visiting Artist at the Native Plant Trust in Massachusetts. I have exhibited and sold my work widely. View my work at https://www.juliebaer.com.
Amy Ferron – Artist’s Bio My mixed media art is influenced by my decades as a master quilter. It informs my painting style where I translate from fabric into paint and collage. With this process I create my own fantastic worlds. I play with the papers to define space with light and dark. My paintings and collages have been shown at the Whatcom Museum, Cascadia Art Museum, San Juan Museum of Art, Washington State Convention Center, Seattle City Hall, Anacortes Art Festival and many other local galleries and juried shows.